21/05/2022

Getting to Know Evelyn Walters; With a Little Help From Marg Downey

Evelyn Walters, as played by Marg Downey, in a screenshot from Episode Two.

Among the varied cast of personalities of the sixteen-time AACTA Award-nominated Australian drama The Newsreader, a character as magnetic as she is divisive holds the reins of power; illustrating the aptitude for potency and social and emotional intelligence women have always had, but; as true of her time and generation, never got the opportunity to exert in a professional setting. Evelyn Walters - the adoring wife of News At Six’s veteran newsreader Geoff Walters (Robert Taylor) - may as well be the unnamed and unseen CEO of the network who is regularly alluded to “upstairs,” as her meddling in the private business of her husband’s workplace is somehow time and time again spot on. Evelyn plays an upper hand in securing her husband’s future in the network with under the table deals, as she has done for many years, and she endeavours to uphold the existing media and workplace power structure which has favoured Geoff for three decades. She precisely identifies who is important and who is unimportant in the commercial television newsroom, and despite his thirty years of service to the network, she notices that her husband is beginning to fall into the category of the latter, with more progressive and camera-friendly contemporaries being primed to readily take his place at the drop of a hat. Despite being a relatively minor character within the ABC’s 1980s period drama, she lets her presence be known, and in some of her scenes she even shifts the focus away from the leading roles; dazzling in her Maggie Tabberer-esque frocks, elaborate jewellery and crisp white blouses with upturned collars, and her performances of equal grandeur.

Downey's parody of real Australian journalist Jana Wendt on Fast Forward saw her gain praise from Wendt herself on the accurate portrayal. (Image Source - YouTube)

But who should bring this eagle-eyed and magnetic media wife to life? Enter Marg Downey; who herself is a media personality and performer of the time. In the real 1986, she was entertaining Australian audiences as a part of The D-Generation, and along with a handful of her fellow performers from the show, went on to write and star in Fast Forward, which would take her presence on our screens into the 1990s. With multiple comedic guest roles since then; such as marriage counsellor Marion in the much-adored cult 2000s classic Kath & Kim and joining the main cast of Foxtel’s original skit program Open Slather in 2015, Evelyn Walters is among her select dips into more ‘serious’ roles. She was seemingly the perfect pick for the role due to her brushes with media spouses and newsreaders of the time; stating in a TV Tonight interview that she had “met at least 20 Evelyns in [her] lifetime;” not only within the television industry, but within her parents’ friendship circles too. Her parody of Australian journalist Jana Wendt on Fast Forward and D-Generation saw her being praised by Wendt herself for her accurate portrayal, and she would share makeup rooms with real newsreaders of the time; like Naomi Robson and Jennifer Keyte. This insider knowledge of the personalities that graced our screens in an era gone by has translated into Evelyn's understanding of her husband’s workplace.


"She courts those women's magazines..."

From when we first meet Evelyn in Episode One, it is evident that she is Geoff’s first port of call. As he lit a cigarette in his office, he detailed to Evelyn the trials and dismissal of the network’s star newsreader Helen Norville (Anna Torv), whose absence on the desk that evening had been noticed by viewers across Victoria. The captivating and elegant junior to Geoff’s stately and formal senior, Helen is the decided pick to take the network news’ reins and steer it into the future. She is young, camera-friendly, empathetic towards her subjects and with ambitious ideas of her own to bring previously untold stories to the audience, all with a fanbase who express concern when she is not on the desk at any given evening; calling the switchboard to check on the star newsreader’s wellbeing. Evelyn is quick to put the pieces together; the network will have to announce her departure soon, otherwise Helen would go to the press. “She courts those women’s magazines,” Evelyn reminds Geoff. It is simple to her; Geoff must go to his boss immediately to convince him to drop the idea of a second reader, to not find another “game show girl” to take Helen’s place, so that the entirety of the audience’s focus will be solely on Geoff as it once was. 

"If you or the network mistreat my husband in any way, I can assure you that the public response will be utterly devastating."

This disdain towards Helen and also the newsroom’s hardened and ruthless boss Lindsay Cunningham (William McInnes) is further explored as the season progresses. Helen mentions to Dale (Sam Reid) that “Geoff’s wife hates [her],” and that if she did not get the dress code to Geoff’s sixtieth birthday right, that she would never hear the end of it; but, in an equal measure, the temptation to push the friendship and stir up scandal in her costar’s spouse is something that seemed all too delicious to the newsreading star. As Geoff rehearses his speech for his media-charged birthday bash; and thus, his resignation from the six o'clock bulletin - gently prodded along by Lindsay - Evelyn overhears it and is bewildered by her husband’s admission that he no longer wants to be on the desk, but rather in the field. “I’m sorry, when was this decided?” She questioned him. “The desk doesn’t interest me as much these days,” Geoff explained. “Every year there’s more and more faff.” This is news to Evelyn, who was now left confused as to her husband’s sudden change of heart towards the position he has held for thirty years. It does not take her too long to figure out who might be responsible for this; confronting Lindsay at the party, and assuring him that if he or the network mistreated her husband, the “public response [would] be utterly devastating,” in such a conviction that Downey’s performance in the moment has been likened to as a “televisual Lady Macbeth.”

"Your second Walkley..." Evelyn proudly tells the family doctor.

As viewers venture deeper into the series, Geoff’s position is appearing more and more precarious; especially after a major health scare which sees the veteran newsreader out of order for at the very least four months, although realistically, it could be many more than this. Evelyn perhaps does not realise that her husband might not return back to the state of health he had before; either that, or she does not want to believe it herself, and the first thing she does after he has come out of surgery is ring the family’s choice of paper to release a statement to the media; securing his return to the desk in July and having this fact on public record indisputably. Her husband had survived typhoid whilst reporting in Vietnam when he was 43; vomiting on the side of the road one moment, on air the next. “Your second Walkley,” Evelyn proudly smiled as the family doctor checked him over. The temporary setback was rewarded with a shiny trophy to add to his “wall of awards” - Helen motioning to these in his office nonchalantly in conversation with Dale’s mother Val (Maude Davey) as she showed her new mother-in-law through the newsroom. If he could bounce back from typhoid, surely this would not be too different. 

"Best thing you can do is sit back, and let them fall apart."

Between cooking dinner and tending to the garden, she closely watches Helen and Rob Rickards (Stephen Peacocke) with a discerning eye and is swift to critique their work; noting Rob’s complete lack of qualifications and Helen’s lack of long held experience - diminishing them to being nothing but a “game show girl and footy player.” Rob - so it seems - is to become the second reader should Geoff retire; already having been asked to do the weekend bulletin, and the fact that “[the network] has been grooming him for years,” - working on his speech, fixing up his teeth and suiting him up in a smart new wardrobe to grace the screens. “It wouldn’t be Rob!” Geoff scoffed. “Of course it’ll be Rob!” Evelyn exasperates. How can Geoff not see this? In Geoff’s absence and in the midst of a media controversy storm from a divisive story about a mother and her children contracting HIV from a blood transfusion, Evelyn invites Geoff to “sit back, and let them fall apart.” The media fall out without Geoff’s presence on the desk is a credit to him, in Evelyn’s eyes.

"Darling, I love you. I'm asking you to stay."

Evelyn, however, would not be following through on her advice to Geoff. Sitting back would not be an option for her. Discussing with her friend Dee at hairdressing appointments who very conveniently always appears to have comments to suit her arguments, she hints to Geoff of other potential media vacancies that seem to have his name written on them, and as Geoff’s ailing health finally dawns on her, calls Lindsay to a meeting to negotiate a rather unmovable and lavish severance package; all whilst leaving him to foot the bill of their three course meal. The outcome of said underhanded deal has undesired results, and the consequences of Evelyn’s involvement dawns on her at the conclusion of the series; causing her to burst into a desperate plea to her husband to acknowledge that he could be doing better, and to argue that if she had not meddled in his private business, that he would have lost his position years ago. Their best years are ahead of them, but they would only be as such if he had listened to her and advocated far more firmly for himself.

Evelyn Walters - a "masterclass of calculation and passive aggression and faux vulnerability."

Evelyn has been received with mixed reactions by viewers worldwide. Taking on an almost ice-queen like stance, critics and viewers alike have labelled her “manipulative”, “calculated”, “horribly good”, “cold-blooded”, “malevolent”, and - translating from a Portuguese response on Universal TV Brazil’s Twitter page - a “snake woman.” Michael Lucas; the series writer and creator, has credited Downey’s performance as a “masterclass of calculation and passive aggression and faux vulnerability;” a countenance that Evelyn possesses throughout the entire series. Whilst her attitudes towards Helen and Rob have angered fans of these two characters, and her views on LGBT+ people in Episode Five perceived as reprehensible and unacceptable by modern standards, as well as standing by her husband’s equally unfavourable stance and callous treatment of a HIV-affected gay couple on air, Downey commented in the TV Tonight interview that Evelyn is “multi-layered”; “fiercely loyal and loves her husband.” Would it be disloyal of her to not advocate for her husband in any way she can?

"Evie let your hair hang down."

Downey welcomed discussion from News At Six 1986, wanting to help viewers understand her character better. Was this evident visceral reaction from audiences what she expected would occur upon them ‘meeting’ Evelyn on their screens? “I can understand why many people disliked Evelyn,” Downey acknowledged. “Some felt that she was manipulative and only interested in clinging to the privileged lifestyle she’s become accustomed to.” Downey certainly recognises what is at stake for Evelyn should Geoff lose his public profile. Evelyn is known for hosting media-spangled parties at the couple’s lavish Hawthorn East home; mingling with members of the press gallery and considering them close friends. She is used to her and Geoff being recognised everywhere in public; so much so that she tells Lindsay, “[Geoff] avoids open streets now, the public love for him is simply that fierce,” and the couple tacks on holidays to Geoff’s travels for work, namely during the last non-ratings period which was consumed by specials. With the wedding of Prince Andrew and Duchess Sarah Ferguson on the horizon for that upcoming July, no doubt that Evelyn would enjoy that as an opportunity to visit the UK too, as her husband brings the royal affair to Australian screens.

"I felt as thought she also had her husband's best interests in mind," Downey explained to News At Six 1986.

However, as we discover with various other characters in the program, Evelyn does not fall into a stereotypical nefarious or avaricious image; a credit to Downey’s portrayal and the careful scripting from the writers. There was more to this media wife that Downey wanted us viewers to take away from her character, as she detailed to me. “I felt as though she also had her husband’s best interests in mind,” Downey explained. “She could see that after years of service Lindsay was very ready to shaft him.” Indeed Lindsay was - the push for Geoff to reconsider his position was certainly not subtle throughout the show, so much so that even the knock-about Rob was able to pick up on this as he saw his own presence on the desk elevated. This put Evelyn at the forefront for advocating for her husband, especially considering it seemed as though no one else was going to; not even Geoff himself. “Her husband needed to be protected,” Downey elucidated. “Geoff was neglecting his health and making some rather rash decisions.” From brushing off heart attack symptoms as that of a reaction to the previous night’s dinner, insisting on going into work to help report the developing Russell Street bombing after having vomited the night before; refusing to even allow his wife to drive him to and from work when he was clearly under the weather, and gloating proudly about his health struggles in war torn Vietnam as a younger man, Geoff wears his stoicism and ability to soldier on as a badge of honour, and any insinuation of fragility on his part is quickly dismissed.

"I felt that she was the perfect person to counteract his [Lindsay's] ruthlessness." Downey deduced.

In the same way as his wife and doctor insist on making long-term lifestyle changes to assist the veteran reporter’s recovery despite his protests, Lindsay also looks to exploit these struggles in equal measure; not even a month after Geoff’s heart bypass, already offering his position to Rob and Dale, and despite having just as much an equal hand in the decision, is quick to turn the blame back on Evelyn; threatening that if Geoff went to the press about his dismissal, there would be no golden handshake, and that he would reveal to the public that the decision “had the full support of his family.” Evelyn is horrified and enraged about Lindsay’s lack of personal accountability for the situation the network and family was about to find themselves in. “I doubt we will be speaking much in the future, Lindsay,” Evelyn seethed through the telephone. “But allow me to say that you are a spineless man and a pathetic leader.” The rage flared up in the portly news director’s face, and he unceremoniously and shakily placed the phone back down, ostensively not used to being called out in such a fashion. It’s this advocacy and ability to tell things the way they are that sees Evelyn subdue her husband’s employer - something that not even Geoff’s coworkers had been able to do; Helen getting her HIV story across the line being one notable exception, and office personal assistant Jean (Caroline Lee) being on top of Lindsay’s decisions before he has vocalised these being the the other. “I felt that she [Evelyn] was the perfect person to counteract his ruthlessness.” Downey deduced.

Geoff's "wall of awards," seen in Episode Four. Can you spot his Walkley Awards, and a photo of a potential child or grandchild? 

The Newsreader has been praised for its subtle and ambiguous approach to characterisation; not all is as it seems when it comes to who the characters are, allowing them to be fully-fledged and believable to audiences. Evelyn Walters has been no exception to this, and we can only hope that we will step further into the world of the Walters as Season Two goes into production. The Newsreader is available to stream in its entirety on ABC iView in Australia, and various other platforms internationally.

Downey's cartoon character Gene, who can be found on Instagram.

Thank you to Marg Downey for taking the time to respond to News At Six 1986’s questions, and helping build this profile of her character for Newsreader fans across the globe to learn from. Downey will be re-assuming her role in the upcoming Season Two, but in the meantime, delight yourself in her cartoon character Gene, who can be found at Life With Gene on Instagram. Can you solve Gene’s weekly puzzles?

~ Erin, for News At Six 1986

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Real History Links

Marg Downey Interview by TV Tonight

Maggie Tabberer - Harry M Miller Group

60 Minutes Interview featuring Marg Downey - YouTube

Downey as Helen Clark in Open Slather - YouTube

Neil Davis (Australian War Correspondent in Vietnam) - Australian Media Hall of Fame




16/05/2022

The Newsreader is Off to the Logies!

 Great news, Newsreader fans!

Anna Torv and Sam Reid as Helen Norville and Dale Jennings in a promotional photo for The Newsreader.
Both Torv and Reid are nominated for Logies in 2022.

The nominations for the 2022 Logie Awards were announced yesterday morning (15/05/2022), and even better - The Newsreader is among them!

The Logie Awards are a longheld tradition of Australian television; the first awards being handed out in 1959, and after a two year hiatus due to COVID19 restrictions, they are coming back to the Gold Coast this year. Fans of Anna Torv will note that this is the region in Queensland that she spent most of her formative years in! The Logies means that many Australian television programs and personalities that were prominent in 2021 and 2022 are up for many awards, and six of these potentially could go to our beloved fictional newsreading crew!

Gold and Silver Logie Awards, and its TV Week base. Source - TV Blackbox

In the public-voted Popular categories, the show itself is up for Most Popular Drama, and Anna Torv has been nominated for Most Popular Actress for playing our leading lady Helen Norville.

The Newsreader has secured four more nominations in the industry-decided Outstanding categories. The show and Anna Torv once again are nominated for Most Outstanding Drama and Most Outstanding Actress (an award Torv has won before in 2017 for her previous show Secret City; also directed by Emma Freeman and produced by Joanna Werner). Sam Reid joins the ranks of Most Outstanding Actor for his role of Dale Jennings, and William McInnes could secure Most Outstanding Support Actor for playing Lindsay Cunningham.

Screenshot of William McInnes and Anna Torv from Episode One. Can you see the Logie Awards behind Lindsay on the shelf?

It is worth noting too that Emma Freeman's other drama that she directed; Love Me, is nominated for seven awards, Anna Torv's harrowing bushfire miniseries Fires is expected to shine in the Outstanding categories, and Stephen Peacocke (Rob Rickards) is up for Most Popular Actor for his leading role in the rural medical drama R.F.D.S. The show will compete with The Newsreader for Most Popular Series.

It's not The Newsreader's first major awards night. In late 2021, the show was nominated for an overwhelming sixteen AACTA (Australian Academy of Cinema and Televison Arts) Awards - securing double nominations in some categories - and was the most nominated and won series for the year. They took home five of these; the program for Best Drama, Torv for Best Lead Actress, McInnes for Best Supporting Actor, Freeman for Best Direction in Drama or Comedy, and Melinda Doring for Best Production Design in Television. 

AACTA Award statuettes. Source - AACTA Website

Smaller but notable awards include its win of Most Popular Australian Drama at the online 2021 TV Blackbox Awards, and Nathan Lloyd was awarded Best Casting in a TV Drama, Miniseries & Telemovie at the 2021 Casting Guild Awards

2022 is certainly shaping up to be as momentous for the cast and crew of The Newsreader as 2021; not forgetting to mention the multiple international screenings and the production of Season Two in the very near future. Will you be watching the Logie Awards this year? I will, and I have already voted for the show!

To vote for The Newsreader, Anna Torv and Stephen Peacocke in the Popular categories, you will need to be an Australian citizen with an Australian mobile phone number. Click this link and follow the prompts to help our newsreading team score some sweet retro victory!

See you all on Logies night! Fingers crossed we will have some happy news to report!

~ Erin, for News At Six 1986

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Real History Links

Logie Awards - Wikipedia

AACTA Awards - Wikipedia

 

Good Evening, and Welcome to News At Six 1986

 (This post contains spoilers for Episode One.)

Picture this; dear readers. 

It's August 2021. New South Wales is in a tight lockdown, and your region joined this in the past two weeks. Work has been slowed down, and you are already feeling an itch of boredom (and a chill in the air - it is winter, after all). That night, you turn to ABC iView to entertain you for the evening; something that would become a common occurrence for the duration of lockdown. But what to watch?

There's a program in the banner; one of which you have heard about. It's a brand new Australian show which was going to be gracing our screens for six weeks of Sundays. Your family watched the first episode a couple of days ago. 

"I'm going to give it a go. Was it any good?" you call out into the kitchen.

Dale Jennings (Sam Reid) - Opening Scene

When the response was a "yes," you press the 'enter' button of your remote and watch it all unfold. Some thoughts; there's a sweet young bloke, gazing at a prized piece of Paul Hogan becoming Australian of the Year in 1986. Dale Jennings is his name, you later find out, and the man responsible for bringing this floppy haired and baby-faced reporter to life is actor Sam Reid. As Hogan gives his acceptance speech, there's a pause on the screen, and the editor who strangely looks like the nerdy man in Stranger Things (coincidentally, also called Murray, and played by John Leary) pulls a VHS out of the vast array of machines in the edit booth - black tape having been sucked from the video and into the mouth of the technological monster. Panic ensues, and you follow this young man down the hall, racing to film a new ending to the story. With the help of his trusty camera and sound crew (Tim Ahern and Ross, played by Chai Hansen and Jackson Tozer) and a young Korean-Australian woman who would further prove her helpfulness over the next six episodes (Noelene Kim, played by Michelle Lim Davidson), he manages to put together another story just in time for the nightly bulletin. Thank goodness for that.

"I think that ending was even better!"

On the other side of the News At Six building in the filming studio, two newsreaders are combing their way through the bulletin for the 24th of January 1986. An older gentleman with a deep voice; Geoff Walters (Robert Taylor) and his much younger junior - a magnetic and glamorous brown haired lady whose personality is as striking as her crown of combed-back and teased hair - are responsible for bringing the news to this commercial network every night, and from the outset, you can see clearly that things aren't so ceremonious behind the scenes. Checking the autocue, the star newsreader Helen Norville (Anna Torv) is bewildered. "Hey, I thought I was reading the Thatcher story," she glanced over at her colleague. "There was a late change," Geoff responsed, shuffling through his papers. The glare she gives the camera could very well be a prime example of the expression 'if looks could kill;' nostrils flaring and taking the viewer and whatever thoughts were going through her mind hostage. You love her already.

Helen Norville (Anna Torv) - not for the faint of heart.

The title sequence gives you the name of the Australian television curiosity that will have somewhat of a chokehold on you for much longer than its six weeks of broadcast; The Newsreader. What a ride it would be.

Helen tore her way through the newsroom, enraged and taking out this dissatisfaction on the newsroom director Lindsay Cunningham. No way! That's William McInnes? That's what Max Connors from SeaChange looks like now? You are entirely forgiven for not recognising the portly old gent straight away; with his thick white beard and more full appearance, the veteran Australian actor is a long way away from his SeaChange days. You can only compare him now to Santa Claus; the kind that would take presents from children as opposed to giving them. Santa's evil twin works in journalism? 

William McInnes is no longer Max Connors, that’s for sure.

"You said it at the Christmas party!" Helen reminds her boss, referring to his (admittedly) drunken promise of giving her a special report of her very own each Monday back in late 1985. "Christ Helen! You cannot take anything a bloke says at a Christmas party seriously!" He snaps back. As the kerfuffle continues behind closed doors, our young mate Dale is half-reading a magazine, whilst also nervously pacing around the door. He approaches the personal assistant (Jean, played by Caroline Lee), considerately suggesting that he could reschedule his meeting with Lindsay if this isn't the right time. "You're never going to get that," she tells the reporter. Maybe he could come back when Lindsay's in a better frame of mind? Jean looks the young bloke up and down; "you're never going to get that, either." At that point, Helen bursts out the office, almost tearing the door of its hinges, and Lindsay yells out behind her. "You parade around this place like you're Barbara bloody Walters but you're not! You're Helen Norville! And let me tell you something, Helen; I've got twenty girls ready to replace you tomorrow." 

"Rebel, that's right. I'm on my own, I'll call my own shots. Thank you."

With a growl, Lindsay goes back inside to pack his briefcase. Jean motions to Dale, "he's free." Dale hesitantly approaches his boss, hinting at a demo tape he made for the news desk. Lindsay sighs. The young man standing before him is an okay reporter and a very good producer, but a newsreader? Perhaps not. He very gently tells Dale that only a certain kind of presenter wouldn't get the channel switched on them; nothing personal, it's just that certain presenters make the viewer feel very secure. He uses Helen as an example.  "Now Helen, you put a lens on her, and she connects." Despite this, he can tell how eager Dale is to give it a shot. He makes a deal with Dale; help Helen put her special stories together starting from Monday, steer her away from "shitty stories about cross-eyed, single mothers with AIDS and Christ knows what else," and he could have a go at the Tuesday morning update. Dale's eyes sparkle, accepting the deal, and victory dancing his way back into the office; sharing over the phone to his mother Val (Maude Davey) the good news. 

Val Jennings (Maude Davey) - One very proud mumma!

As to be expected from what we have already seen from this program, Monday will not go without its own trials. Helen waltzes into the office, ready to pitch her idea to the chief of staff Dennis Tibb (Chum Ehelepola), only to find that she has been offloaded to Dale. It's not a secret that she has gone through many producers in her time; "blokes that didn't take [her] seriously as a journalist," as she would later share in a fictional Woman's Day article, and Dale was going to be the latest in this line of unsuspecting souls assigned to her. Dennis reminds her that "all reporters work under a producer," and she heads over to the young man who had just given her a friendly wave. He does seem different to the producers beforehand; he's softly spoken, gentle and warm. She pitches her story to him. She has been in contact with a woman called Caroline Gibson (who would later appear in Episode Five, played by Torv's The Secret Life of Us costar and onscreen best friend Alexandra Schepisi). Caroline developed HIV through a blood transfusion during pregnancy, and unknowingly passed this on to her children. Helen knows Lindsay's thoughts on AIDS stories, but she hopes that she and Dale can rebrand it as a family story. Dale doesn't shoot the idea down straight away, but he is quick to suggest that she may like to pick a more upbeat story for the first in this string of special reports. Perhaps they could come back to that at a later date, but for now, maybe they could interview some prep kids (it's the first day of school, after all) or visit the Melbourne Zoo butterfly house to celebrate its one millionth visitor. 

Do you really think Helen wants to interview prep children, Dale!?

Helen is not impressed, and goes over to Dennis to complain. Dale - not wanting to lose his shot at the desk - rushes over to diffuse the situation. Would she be interested in a story about women in space? Yes she would be; enough to at least entertain the idea in the edit booth. Christa McAuliffe is about to become the first civilian launched into outer-space on the much anticipated sending off of the Shuttle Challenger - a secondary school teacher, who will also conduct lessons from the space shuttle. Helen frowns; "it's a US story." To the newsreader, bringing Australian stories to her Australian audience is of utmost importance. Despite Dale finding ways to bring this US story back home; interviewing an CSIRO scientist perhaps, and airing then-prime minister Bob Hawke's comments that Australia might get a space program of its very own, Helen is not satisfied and storms off to Lindsay's office to express this. "I've spent a year and a half doing regional, I was a senior reporter for two years," she reminds him; demonstrating how underused her skills are. "60 Minutes  are sending female reporters to warzones!" Helen is seething at this point, comparing her plight to that of her fellow female journalists such as Jana Wendt, who are receiving far better career opportunities than her elsewhere. "Anywhere you go is a warzone, Helen - you're a warzone on two legs!" Lindsay laughs haughtily. He hops up from his chair, cornering Helen into the doorway of the office. "I'm not joking, Helen. Every day I have to back you up. Every day people come in here, and they say, 'Helen Norville, she's a nightmare. She's got a face like a slapped-arse. But I bat them all back. But you know what, Helen? They are F*CKING RIGHT." The humiliation is too much for Helen, and she runs from the office in tears; not able to get out of the building fast enough. Lindsay demands Noelene to erase Helen's name from the run-downs, and gifts all of Helen's stories and updates to Dale, starting from tomorrow. This should have been a cause of celebration for Dale; having unexpectedly found himself a promotion, but he glances over guiltily to Helen's briefcase and notebook that she has left behind on the table. 

"Helen Norville is a nightmare."

Helen's absence from the desk that night is obvious, and Geoff rings home after the bulletin. His wife; Evelyn, notes this too. Evelyn is played by the legendary Australian actress Marg Downey, known for her work on comedy programs such as Fast Forward and in the real 1986, as a part of The D-Generation. Geoff tells her that Helen is most likely gone for good, and Evelyn makes sure that Geoff will convince Lindsay to drop the idea of a second reader as a replacement, cementing himself again as the network's star newsreader as he has been for the past three decades; gone unchallenged until the charismatic and magnetic younger female star came along. "The network will have to announce it soon, she courts those women's magazines." It appears Evelyn is across all the forms of public engagement the network's news team engages in, and the intimate details of her husband's work place too. Going to the women's magazines is far from Helen's mind this evening, however; taking herself home, forgetting to shut her car door, and sending the contents of her kitchen bench flying in a flurry of tears. 

Geoff and Evelyn Walters (Robert Taylor and Marg Downey)

After bringing the Challenger story to life on his own, Dale parks his car outside of a house that is not his own; holding Helen's case and book in his hand, and brings this up to the front door. Ringing the doorbell, he lets Helen know that it is him, returning her belongings and to check if she is alright. Bless him. He's been the only person to do so from her workplace, and upon entering her home after receiving no answer and finding her passed out on her dining room floor in a puddle of her own sick, he rings the ambulance. Dale and the paramedics discover that she has overdosed on her medication, and when Helen refuses a hospital trip due to her public status, Dale takes her into his place for the night to get her away from the other medication she might have around. 

"Should she stick around if this is all that life meant?"

Waking up the next morning and entering his dining room, Helen is already folding the linen from the sofa-bed; wanting to get out of Dale's hair as soon as possible. He insists that she stays for the day to rest, promising to bring home dinner that evening so that they "can come up with a plan." "What kind of plan?" Helen quizzes him. "To get you home?" Dale wrings his hands in front of him. Taking once glance at the man who has just saved her life in a pair of stripey pyjamas that would give the Bananas In Pyjamas a run for their money, Helen softly smiles. "Okay." 

Who wore the pyjamas better, Helen? Dale Jennings, or two banana blokes?

With Helen at his house, Dale goes into work that Tuesday morning, doing vocal exercises to perfect his newsreading voice on the drive over. Despite his practising, his first morning update has unfavourable results. He has spoken way too fast, mucked up the name of Allan Border, sped through a Dire Straits Australian tour announcement, and it is evident to viewers that tears of embarrassment are prickling in his eyes. Even Val, who has tuned in to see her son's first update with a cup of tea and a friend, cannot suppress her sigh of pity. Noelene suggests kindly to Dale that tomorrow morning, they could do a practise round, and knock-about sports reporter and former St Kilda Saints VFL player Rob Rickards (Stephen Peacocke) assures him that he "has a future calling horse races." Not sure if that will help boost his spirits, Rob. Tim is a bit more thoughtful in his reassurance than Rob; "you'll get there." 

Well that went well...

Coming home to Helen cooking dinner for the pair of them, Dale confides in her that he did the morning update, shutting himself in his room to try to forget the ordeal. Helen realises that Dale had taped the ordeal on his VCR, presses play on the tape machine, and Dale charges through his flat to stop her before she had seen too much. "Can I watch it?" she asked. "No," Dale shook his head. Absolutely not - there would be no way he would let the newsreading star see his bodged-up attempt at what she does best. She notes Dale's fluster. "The first time I read, I froze for like a solid ten seconds, and I kept stumbling on the word 'phenomenon'. Took me three goes at it." Dale realises that even Helen had a rough first time on the desk, and his shoulders loosen. "Let me watch it." she pleads with him. "It's really bad." Dale forewarns, but allows her to anyway. Seated in front of the television with Dale, Helen takes it all in, and bursts into a hearty laugh of equal pity and endearment, resting her arm on his knee, and causing Dale to cringe and chuckle into his hands. "It's a little fast but we can work on it!" She grinned warmly, and work on it they would.  

"It's a bit fast but we can work on it!"

Over dinner, Helen coaches Dale; getting him to read a story from the newspaper about Corazon Aquino; a hopeful presidential candidate for the 1986 Filipino election, who is up against Ferdinand Marcos. Aquino would end up winning the election a month later, ending the two decade rule of Marcos and thus becoming the eleventh president of the Philippines. "You're doing something to your voice." Helen points out. "I speed up but try to control the sound," Dale explains - a skill he has learnt through his summer vocal coaching lessons. "Okay, just try one in your normal voice. You've got to impart the information to me; I'm the audience." When this does not work, Helen gets Dale to take a swig of his wine, and imagine that he is reading to his mother back home in Bendigo. "You want her to understand, and she loves you, and she wants to understand the story too." He is a lot more relaxed and compelling in this approach, and the dull dining room light illuminates Helen's face as she watches on. 

"Love is a stranger in an open car. To tempt you in and drive you far away."

She is pleased, but another thought is racing through her mind. "I'd really like to do something with your hair. Just to shape it up." An audible sharp intake of breath is heard on Dale's side of the table, and Helen brushes the hair out of Dale's eyes with her fingers, stating that a percentage of what audiences see is the hair of the newsreader as he glances up at her starry-eyed. "See - go have a look!" Helen admired her handiwork. "I reckon at least ten percent more attractive!" Dale is suspicious of her statistics, but catches a glimpse of himself in his lounge room mirror, with Helen concluding that he actually looked twenty percent more attractive. 

Smooth, Helen - very smooth! ;-)

Dale's stint on morning updates was to be short lived. After hearing shocking news on the radio at her home the following morning, Noelene rushes to phone Dale, only to have the phone answered by a woman's voice, which she later identifies correctly as that of Helen Norville. How peculiar - what is Helen Norville doing at Dale's house?  The Challenger - the spaceship that Dale had reported on only two days prior - has exploded upon takeoff, and it is almost certain that all the crew on board has perished, including Christa McAuliffe. Helen urges Dale to get into the studio straight away, but after having seen his update the morning before, Lindsay exercises all of his other options for reporting on this breaking news - not Dale. Rob has cancelled himself out due to lack of experience, and Geoff wouldn't be able to get in until midday. Lindsay sighs, and begrudgingly asks Noelene to ring Helen in, who passes on the task to Dale as Helen is at his place. Rob and Lindsay are equally as confused as she was at this news.

Noelene Kim (Michelle Lim Davidson)

Helen rushes to the newsroom; piecing how they would put the story together before she had even hit the make-up chair, and together with Dale and Noelene, reported on the various angles of the developing story; "the worst accident in space history." Helen reacts to seeing the footage of the explosion live on air at the same time as the audience at home, visibly looking harrowed by the vision and that of Christa's parents watching on, and urges the audience to think of Christa's family and especially her children, who would be "going to bed, having tragically lost a parent." 

"Horror movie, and it's blown a fuse. Horror movie, it's the six-thirty news."

Helen's empathy shines through in her reporting; allowing herself to connect with the emotions felt by her audiences at home, and is one of the reasons why she is so loved by the viewers. This approach is not welcomed by all; namely, her costar Geoff, who is quick to criticise his colleague's more emotive reporting style. Geoff comes from the old-school world of journalism; you present the facts the way they are, and you remain unmoved. Both newsreaders represent beautifully the generational shift in the profession - how different eras and also genders of journalists go about their work in very different ways, yet the world of journalism that Geoff is accustomed to is fast becoming obsolete in the rapidly changing sphere of 1980s television news. A performative element is now required to 'hook' audiences; something that Helen has, and Geoff arguably does not. Whilst he is a figure of the news' past, Helen and Dale are both rising stars for the news' future, and he does not respond to this kindly. "But umm...working up emotion like that," he interjects. Helen stares blankly at him. "I wasn't working up anything." "Oh, we both know that you were." he scoffs. "Look, some people will probably applaud you for it, but I think most would prefer that sort of thing is reserved for soap operas, not the news bulletin." Helen shrugs and smiles rather smugly in response. "We'll see."

"We'll see," Geoff. We'll see.

Dale follows Helen into the newsroom, unable to wipe his smile of dawning adoration for the dark haired television star off his face, to; you guessed it, a round of applause. Lindsay congratulates Helen on her work, and is willing to look past their kerfuffle the other day, and re-offer her place on the bulletin back to her. Helen reassumes her role, but under a few conditions; she is to alternate the lead story with Geoff equally, she wants to read the lead today and do the afternoon update solo, and - most importantly - she wants to have her Monday special stories, with Dale as her producer. Dale's smile grows wider as she looks in his direction, and he spends a considerable amount of time glancing at his new office ally, even when her own eyes dart away. "So you put all that in writing and yeah, I'll consider it." Helen says, sauntering backwards into her office and beckoning Dale to join her with a raise of an eyebrow, to which he dutifully follows.

Hooray! They did it, and our newsreading heroine is back to read the news for another day.

This newly formed working relationship coexists with a developing friendship between the young reporter and star newsreader, as Dale drops Helen home that evening and they enjoy a glass of champagne together. Dale apologises for accidentally leaving Helen's front door unlocked when he took her to his place Monday night, offering to check her jewellery and electronics for her. "Dale!" Helen exclaims. "I don't care! You're apologising for leaving my door unlocked after saving my life? Thank you." Dale glances curiously at Helen over her bench. "Why did you take those pills?" He inquired. Not out of judgement, just from a point of curiousity. Helen is taken aback by the question, as she pauses to consider her answer. "It's not like I..." "No, I know." Dale reassures her. Finding her bottle opener, Helen responds. "You know those nights when everything horrible that anybody's ever said to you, or about you, and all the... you know, awful things you've ever done, just keep playing... over and over in your head?" Dale nods empathetically. It will become apparent in future episodes that he knows exactly what Helen is alluding to, just for reasons unique to him instead. Helen looks down towards her feet. "I just wanted silence." 

"I just wanted silence."

Dale compliments Helen on her stoicism and ability to maintain perfectly poised on camera, despite all the awful things that he knows she has been through the past few days. "You know you're incredible?" he tells her. Helen scoffs. "Wait until you get to know me." Dale is adamant in his praise. "I mean it. I could never do what you do." Helen shakes her head. "Yeah, you could". When Dale insists that his ship had already sailed, Helen brings the bottle over to her dining table. "You know, I'm a f*cking disaster." she laughs. "But I'm also relentless, and I'm loyal. I reckon we could make you a newsreader." Pushing the day's newspaper in front of Dale; ignoring his protests of fatigue, she gets him to try reading her an article again. The article he chooses? A story about Cabbage Patch Kid dolls being sold out all across the country - the toy craze that has swept the nation. Helen pours their drinks, and cheekily sends playful quips his way on his performance; Dale taking these with a laugh and equal humour, and her eyes flutter as she melts back in her seat; the episode fading out here.

"The sleep in your eyes is enough. Let me be there, let me stay there awhile."

For fifty minutes, you have been swept up in the world of 1980s Australian journalism, nestled within a surprisingly warm and cosy pilot episode of a brand new drama, and you have somehow forgotten that you are indeed in 2021 lockdown Australia. With the songs Kyrie and Come Said The Boy (by Mr Mister and Mondo Rock, respectively) featuring in the episode causing you to check if there's an official soundtrack for the show (there would be, in the form of a Spotify playlist), various news stories encompassed that you now wanted to learn more about sending you on a research frenzy, and eliciting a slight regret for selling your own childhood Cabbage Patch Kids years prior, this television show would further sweep you up for five episodes more as you hung out impatiently for Sundays to roll about, rewatched each week's episodes countless times, and you fell more and more in love with the show's leading pair and the beautiful sense of love, care, push and pull between them as each episode played out. Television programs don't usually get you like this, but this one was something very special indeed - a true gorgeous time capsule of a bygone era that you weren't even alive for, but now hold close to your heart because of its involvement in what has now become your very favourite show.

That; dear reader, was only the beginning of my love affair with The Newsreader, and even nine months later, I am still raving about it on various social media platforms, and begging whoever will listen to watch it; mostly a successful campaign. It is evident as to how it was the most nominated and awarded television program at last year's AACTA Awards, and why it has now graced multiple streaming platforms and television channels worldwide - it's "bloody magic." (A great quote of Dennis' from Episode Two) 

News At Six 1986 is my way of paying tribute to this very beloved show of mine, the characters and real history, and connecting with other people who loved the show just as much as I did, and took it to heart themselves. News At Six 1986 can already be found on Instagram and Twitter, but this lovely old-school blog will be dedicated to my ramblings and the news that cannot be shared in a short tweet or within the confines of an Instagram caption. What is your Newsreader story? I'd love to hear it!

~ Erin, for News At Six 1986

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Real History Links

Challenger Disaster - Britannica

Paul Hogan - Wikipedia

Allan Border - Wikipedia

Corazon Aquino - Wikipedia

Cabbage Patch Kids - Wikipedia